Category Archives: Poetry.

Pondering Watercolors for Later’s Painting

By Alec Prevett

Wheat:
Eyelids in their stillness clutching
     muddy irises like gemstones.
Vermillion:
The sun, its own eye not yet wide, peeking
     through the curtains to gently rouse us.
Pitch:
Your hair tousled and shooting
     in directions that will embarrass you.
Azure:
Flannel sheets in disarray swaddling
     us like children tired and pure.
Café Au Lait:
Those freckles large and small unwavering
     on those talcum seas, your skin.
Puce:
Shaded lips, smeared and parting
     against my shoulder, as if to whisper no,
     morning is not yet.

Long Dollar

By Jon Goode

Mr. Jones in his Sunday’s best pacing;
Mrs. Jones in her Sunday dress waiting impatient
For the ushers to begin
To usher in the church congregation
To hear about God’s salvation
And Satan’s temptation.
The flock heavy with sin
The church a weigh station
While pastor lay in wait to waylay em,
Lift lions and slay lambs at the gate
Testify, pacify and pass the plate
(Pass the plate).
And the Choir sang their songs
The congregation sang along
Waving their hands
And their Martin Luther King fans
But they weren’t fans of Martin Luther
Or Christ the martyr
They worshipped at the altar of the Long Dollar
(Of the Long Dollar)
(Of the Long Dollar).

And there I am eighteen years old
Running in late dressed in street clothes;
And when my feet hit the church doors
In jeans and shelltoes
It seemed hell froze.
I was greeted with heaven help’s
And hell no’s
I suppose those folks in salvation’s army
Fo sho don’t shop at the Salvation Army.
They all smelled like obsession.
I pray the scent of salvation’s on me.
And the Choir sang their song
The congregation sang along
Waving their hands
And their Martin Luther King fans
But they weren’t fans of Martin Luther
Or Christ the martyr
They worshipped at the altar of the Long Dollar
(Of the Long Dollar)
(Of the Long Dollar).
The preacher screamed “No weapon formed can harm me!”
Which seemed right he had a right tight army.
In fact I bet not a single congregant had even touched the hem of his garment yet.
So I sat in the front row right next to Ms. So & So
She wore her skirt real high and her hat real low.
You know, that it was known to everyone
That after the pastor would make her speak in tongues.
No one was sure if he was reaching them
But the shepherd sheared the sheep
He was surely fleecing them.
He was preaching and teaching to the young
Tell them who they are and who they should become;
And behind doors he was touching them
Right under parent’s nose he was touching them
Soon it was exposed that he was touching them
(He was touching them)
(He was touching).
And the Choir sang their songs
The congregation sang along
Waving their hands
And their Martin Luther King fans
But they weren’t fans of Martin Luther
Or Christ the martyr
They worshipped at the altar of the Long Dollar
(Of the Long Dollar)
(Of the Long Dollar).

hang out with me

By Kit Fay

“hang out with me.”
a text i send a lot,
a little demanding,
but always sincere.
it means
“i like your company”
or “i miss the way
your nose crinkles when you laugh,”
or “there’s this new thing
i want to try,
and i want to try it with you.”

my heart stretches years
and states and oceans,
and i try to keep the people i love
as close as i can.
because their brains are magic,
because i like their insight,
because so many of us are
lost boys whose only real family
is each other.
because waking up
to another friend’s picture
on a facebook memorial post
becomes an avalanche of every
phone call i should have made.

“hang out with me”
always means “i want to see you,”
but sometimes it also means
“i don’t like the way
your new boyfriend talks to you”
or “none of us have seen you
around lately”
or “you’ve stopped eating again,
and what kind of friend would i be
if i just pretended not to notice?”

and we don’t have to talk
about anything you don’t want to,
just get in my car,
i’ll pack us both lunches,
and we can drive to the mountains.
i’ll remind you of the reasons
you are good,
the ways you have touched my life,
and why i’m glad to have you in it.
we’ll make really exciting plans
so tomorrow can stop
looking at you and licking its teeth.

i won’t pretend my love
can save you,
but some things
you can’t do on your own,
and i will help you find help.
some days you are
the brightest thing about this world
and it would never be the same
for losing you so soon.
if everyone who hurts like you
dies from it,
there will be no one left
standing at the other side,
reaching out an arm
for those who come next,
and the world will be left
to the people who inherited bridges.

i like your company,
and i would miss the way
your nose crinkles when you laugh,
and there are still so many
new things you have not yet tried.
so come over,
or call me; i’ll come get you.
you can play with my dogs,
we can count the stars.
i can lock up my knives,
you can sleep in my room,
just hang out with me
a little bit longer.

crazy bitches

By Kit Fay

“you gotta watch out
for those crazy bitches,
man,”
says the drunk man at the bar.
he says this to me
conspiratorially,
like i, a bulldyke,
am far enough removed
from his idea of “woman”
that he can talk to me this way
and i will understand.
i have sex with women,
after all,
so how could i possibly
view them as people?
surely, i know
what he’s talking about.
and i do know
exactly what he’s talking about.

“crazy bitch,”
noun.
defined as,
1) any woman whose emotions
are inconvenient to you;
2) any woman who accuses you
or any of your friends
of predatory behavior.

a crazy bitch will get angry
just because you
forgot her birthday
or fucked her friend.
a crazy bitch will call you
an asshole
or a player.

“crazy bitches,”
he tells me,
“are always ruining things
for nice guys.”

and i know a lot of nice guys,
the kinds i go camping with,
the kind who’ll go to lunch
with your rapist,
but never one-on-one,
they just have a lot of
mutual friends,
and nice guys don’t like
to make a scene.

a crazy bitch
won’t make things comfortable
for nice guys,
a crazy bitch
will call it rape
just because she was asleep
and you didn’t ask permission.

“crazy bitches,”
he says,
“will accuse you of anything.”

and i have never been
a perfect lover,
often not even a good one.
i have forgotten a lot of birthdays
and fucked a lot of friends.
i have been called an asshole
and a player.
i have had sex with a lot of women,
but i have never been called
a rapist.
because i don’t believe in
grey areas,
because i make sure that
everyone i touch
wants to be touched by me
every time.
i have been accused
of a lot of things,
but never once of rape.
you say crazy bitches
are always accusing “nice guys”
of rape,
and i think you are saying
“nice guys”
when you mean to say “rapists.”

a crazy bitch will hold
a knife to your throat
just because
you put a gun in her mouth
and told her you’d shoot
if she screamed,
a crazy bitch will have the audacity
to rip her survival from your hands.
she is not full of soft things
the way you expected a woman
to be,
you can’t tell crazy bitches
what to do.

you are afraid of her words,
but she is afraid of your hands,
and your wanting,
the way that wanting,
for you,
is only a step
on the ladder to taking
instead of the start of a
conversation.

so when he says,
“you’ve got to watch out
for those crazy bitches,”
i say,
“yes.
us crazy bitches
have got to watch out
for each other,
because no one else
is fucking going to.”

Eleven (for another Katrina anniversary)

By Justin Barisich

“Tis but an hour ago since it was nine,
And after one hour more ’twill be eleven;
And so, from hour to hour, we ripe and ripe,
And then, from hour to hour, we rot and rot;
And thereby hangs a tale.”
– William Shakespeare, from As You Like It

I

No one remembers 11 –
the age, the person, the anniversary.
It’s come just after ten, a big one,
a milestone for which we
sing the best songs,
light every last candle in the house.

But this year,
we visit the grave sites in silence.
They always forget this one,
like they’ve forgotten the little towns in between,
the homes still untouched after decade.

So – what’s one more year anyhow?

II

I don’t want to remember my 11th year –
when grandmother died,
when I wrote my first poem,
when I read it at her wake.
I showed the grownups in my family
how wise a child could be.
I siphoned my sadness into art,
masked it – like an adult –
too unsure of which way
half-grown boys should cry.

III

Nine months from now,
faded friends from high school
will start celebrating the 11th birthdays
of their storm-born children.
The ones brought to life by boredom,
loneliness, and all-consuming loss.

Rather than filling themselves in
with patchwork concrete,
they chose to pour a new road instead,
one they still dream of riding out
far from wherever this has now become.

IV

May you remember like a child:
the gulf’s bastard breathes in 11 today,
and we’re still trying to wipe away
her flood lines marking our sinking houses,
still sanding down and painting over
damage we’ve buried so deep
that it’ll never rise to the surface,
no matter the number of years
we let slip away unspoken.

The Last Four Things

By Laura Carter

Everyone is wearing the mirror that everybody’s wearing!
It will always seem like morning in twenty
shades of parrots, and ordinary things

are far. The thought of grabbing a cup of coffee from Starbucks is a thought.
Wait a second. You’re almost already
an ordinary person once again,

and then, as soon as the mountains can overtake the sea,
there’s a song by Usher playing in the background, ever so lightly, and we
attack the Jacobins for having nerve.

The beginning always seemed to be the last, lined up like coffee spoons or the new day,
as a riot on the world’s other side
turns things, shakes things up, causes a panic.

The last time I saw you you were wearing my shirt.
After the last night we were glued to the news of the latest election,
desperate for some hero.